Tara McConnell

Suspended

Suspended was created in the midst of the global COVID-19 pandemic of 2020/2021. Among many people that I talked with during that time, I noticed a common thread of people feeling disconnected...both from each other and human interaction while being physically isolated, and disconnected from knowing exactly how to feel, or what was true in our world. We were faced with "facts and science" about the virus that completely contradicted each other, making it a confusing landscape to formulate one's beliefs and values regarding safety, interacting with others, cultural propaganda, vaccines, masks, and priorities. It felt like we were all hanging above a precipice of which we didn't know what, dangling in the hope of what we are not exactly sure, not knowing how to move to get us out. I do know, however, that in such a state of suspension, we are reminded of the importance of meeting face to face with other humans and that our created purpose is to be relational together. It is an awkward and unnatural place for a human to be when we are not able to truly connect.

$1625 | Acrylic on canvas | 30 x 15 in

Tara McConnell

Blessed and Beloved

What we believe about ourselves is sometimes derivative from the world around us, and how we perceive who society regards us to be. Often when the bombardment of cultural messages dictates our significance, it becomes difficult to sift through the prescribed categories and determine what is true. It can become normal to live with a limited perspective about our significance, resulting in limited behavior, or self-reducing beliefs. Conversely, God, who created us as good, who embodies love in the world, and is present in my meditations as a blue light, tells us that we are blameless, precious, whole, loved, and blessed. Through the cultural symbology of the name tag, the piece Blessed and Beloved explores the dichotomy between society-driven naming and God-driven naming; asks us to examine how that which we believe about ourselves informs our lives, and reclaims a freeing and powerful alternative to society-derived misperceptions of self.

$2400 | Acrylic Collage & Electric Light On Board | 34 x 57
Tara McConnell

Humation

At the beginning of human history, humans were created with a vocation that is at the heart of our cells and purpose. We were equipped with the power and ability to be caretakers and image bearers; designed to reflect and maintain the beauty of creation to God and to reflect God's love and light back into creation. Along the way, and through many complicated histories, humans chose to give our power as image bearers up to forces that distract us from our true calling. This results in the fragmentation of bodies and souls, the erosion of whole relationships with God and the cosmos, and establishes the illusion that worldly power structures are dominant over human fate. However, through the vocation of Jesus, what was achieved on the cross through His death and resurrection, is a potent political and individual overthrowing of a disconnected world which reunites us with the Divine and forever reinstates our ability to live out our intended purpose; as free, whole, connected beings and co-creators with God; able once again to be true reflectors of Godly light.

$2150 | Acrylic on canvas | 24 x 30 in

Meet the Artist

TARA LYNNSMITH McCONNELL was born in Pennsylvania and grew up in Colorado. She is now a Denver based community and participatory artist. She holds a Master’s of Art in Integrated Arts and Education from the University of Montana, Missoula, and a Master of Fine Arts in Visual Art from Vermont College of Fine Arts in Montpelier, Vermont. McConnell has worked as an art teacher for nine years and is experienced working with kindergarten through adult-aged students. She hosts art and worship integration workshops and created a participatory project for 500 teen-agers in the 2013 ELCA Senior High Youth Gathering based on the theme “The Wonder of it All.” McConnell has exhibited publicly in Fraser, Colorado, Decorah, Iowa, and at the College Hall Gallery of Vermont College of Fine Arts. McConnell’s 22 foot tall interactive and theme-based tree project was the center piece for the Evangelical Lutheran Church of America’s Synod Assemblies for 2013 and 2014. The tree sculpture was also featured in the Lutheran Magazine. McConnell’s current work explores multi-media painting and designed experiences of play to encourage her viewers to reflect upon conditions of community connection and habitual norms.

WEBSITE

Please Upgrade Your Browser.

Unfortunately, Internet Explorer is an outdated browser and we do not currently support it. To have the best browsing experience, please upgrade to Microsoft Edge, Google Chrome or Safari.

Upgrade